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So 2009 is here. Plans, resolutions? (more…)
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Welcome to my new blog. Unlike Vanilla Days this is going to be an actual blog. It won’t be daily. Its going to be about things that don’t fit into Vanilla Days as that is mainly a photoblog about Liverpool. I want to split my work from it so that I have a place to show and discuss professional work. The obvious issue is dupicate content. Vanilla Days has over 650 subscribers to the RSS feed alone, this has none. So if I want to let people know about my new book do I discuss it there or here? I think for now I’m going to mention it there and talk in depth here. That is the point of this blog after all. Its about my work.
So please subscribe to the feed via an RSS reader or via email. I’ll update when I update.
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Last night was an unbelievable success. At 5:45 my sister mentioned I should have put my iPod on with some music. The space is deadly quiet and echos when there are only 2 or 3 people in there. At 5:50 robmiller from the Internet turned up. He was officially the first person to see the exhibition. About 10 minutes later someone else turned up and by about 6:20 the launch was in full swing with mini groups of people chatting. By 7pm it was clearly a hit. Lots of people had turned up and I was just so happy that the prints had stayed on the walls and that people were here enjoying it. I have to thank the guys from Switch Media for all their help, especially Aaron who turned up with his 4 day old son! Thanks to my sister and her boyfriend for sorting the drinks, sweets and things. Thanks to Albert Dock for the space, and Moorfields Photographic for the prints. Thanks to everyone who came.
Thanks to Ian & Minako Jackson for grabbing a copy of Metro for me. It totally slipped my mind to find it yesterday and I’m so glad they got one for me. They had a review of my work in there and it was totally not what I expected. “Carr’s shots of Liverpool’s two cathedrals knock more typical picture-postcard vistas into a cocked hat, making the buildings look as ancient and brooding as if they were lifted straight from The Lord of the Rings’ set. His love of bringing out the detail in rippling, overcast skies should earn him well-deserved comparisons to that other obsessive Liverpool Photographer, Edward Chambre Hardman.” OMG, basically. Funnily enough, Hardman used to live 5 minutes away from where I currently live on the Wirral before he moved to Liverpool. But I really never expected that. Maybe “Really nice photos.” Just wow. Thank you Metro. Thanks again everyone.
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Here we go. Port of Culture, a photography exhibition of Liverpool culture by me. It opens Saturday 23rd February and runs till March 9th. 10-5, every day. I’ll be there every day too so feel free to drop by and say hi. There will be free badges too. I’ve been wanting to post about this but I’ve been waiting for the website to be ready, which it is. Port of Culture. Take a look, tell your friends and spread the word. I’ve still got a lot of work to do on it, but things are slowly falling into place and time is quickly moving on. You should start to see posters and collectible postcards appearing around town soon. So be on the look out for them.
In other news I gave a talk on HDR last night for the BIPP that went very well. I still feel that the talk needs work, but it was my 2nd ever talk so I’m sure it was ok. I’ve got another 2 talks booked this year so I’ll be tweaking the presentation when I find time. There were a couple of small funny things that you can’t plan for. My laptop didn’t seem to want to respond as it should have done and a fight broke out, which was funny. Theres something about HDR that does that (jokes). But it was good. I felt it went better than the Redeye talk because I wasn’t as nervous. I wasn’t nervous at all until about 5 minutes before when someone mentioned film and I had a scary thought that the room was full of film buffs who hated all digital technology. I was expecting to be chased off with pitchforks n such. Thankfully that didn’t happen and the comments after were really appreciated. Thanks to Ian from the BIPP for inviting me, and to everyone who attended for the warm reception.
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So, last nights talk. I was nervous. So nervous that I forgot to start the podcast recording until 2hrs after in the pub. I was so nervous I left my 30D lying around on a table for anyone to take home. I felt that I was running a marathon and speaking at the same time as my breathing was well wrong. If I stopped talking to take a deep breath I knew I would faint or the realisation would kick in and I’d panic. So I hit the ground running, so to speak and it felt like I did the whole thing in one breath. To that end I did feel that I rushed through some things, and forgot to mention others. I never really intended to do the talk in front of everyone either. I was going to sit at the back and hide. However the first guy talking about his studio did stand in front of everyone, so I figured I had to be a man and go for it. I’m glad I did it though. I put myself up for doing this because I felt that its something I should be able to do. I’m at a point in my life where things are going well, and I can’t be scared of putting myself out there. Look forward, go forward. Thanks to all who came, it was nice to chat to you before and after.
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On September 21st the QE2 (Queen Elizabeth 2) Ocean Liner visited Liverpool on her 40th anniversary tour. The day started with torrential rain. The rain stopped, the clouds parted and I was on a ferry for what was the best light all day. I am incredibly happy with this photo for many reasons, but mainly because I feel that I’ve come full circle. Back in 1990 I was 11 years old. I had spent 1 day that summer, I memory serves, on a photography day trip. I used a film slr and we wandered around Birkenhead. We got to process our photos in a darkroom, which was pretty cool. The photo appeared by magic. It was my first real taste of photography. I took a photo, that I wish I could find, of Birkenhead Docks in black and white. The guy running the course said it was one of the best he’d seen, though I imagine he was simply being kind to a kid. That same summer the QE2 visited Liverpool for her first time. It was an incredible sight. I’d never seen a ship that size before. My parents and I were down at Wallesey watching it all with some photographer friends. I remember hearing their stories and wanting to be a photographer. They told me of the fabled 500mm lens that could look across the Mersey with such zoom that you could see the individual pieces of the Liver Buildings clock face. I didn’t know till then that it was actually a mosaic. I wanted a 500mm zoom lens from that day on. They told me of the guy panning with planes who fell backwards over his camera bag as they passed overhead. I remember seeing their giant steel cases packed full of gear. Most of all that day stuck in my mind all my life, till I got distracted by computers. Looking back now if there was any one single event that inspired me to be a photographer it was that day.
Over the past few years people have asked me how I got into photography and I’ve said its just been a hobby over the past 4 years that grew. Its always been something I’ve wanted to do all my life as I remember playing with cameras as a kid. My Dad was into photography as well so I’ve always been around them. I miss using my Dad’s Topcon SLR, the thumb action winding the film on, the feel of the lenses. It reminds of me being a kid and I don’t get that from my current DSLR’s. The QE2 visiting has reminded me of all this. I don’t often remember being a kid that much, but this visit has brought it all out. I’ve realised that I’ve always wanted to be a photographer but I got distracted along the way. Now I am a photographer and yesterday I knew I had to get the best ever photo of the QE2 that I could. This is why I am so happy with this photo. It was also taken on my 10D, not my 30D. Totally by accident but quite nice that it was taken on my first DSLR.
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Saturday was my last day watching over the gallery. It was such a great day I really didn’t want it to end. I got to Costa coffee at 9:45 for a pint of hot chocolate, then asked security to open the gallery for me. The switched the lights on and by 10am the gallery was up and running. By 10:05am it was full of life. I have no idea where these people came from at such an early hour but it was great to see it. By 10:30 I had chatted to a really nice guy about my HDR work. The day was just so much fun. Kids ran around screaming because their voice echoed. People seemed to appear from out of nowhere as they looked around the gallery. One of the other photographers, Ben also helped look after the gallery and was great to chat to about how weird some people were, how nice others were and general photo stuff. I was really surprised when my neighbours dropped in but that was lovely to see. My cousin also dropped by later which was also great. The gallery was constantly busy because the Clipper Round the world race starts next week from Liverpool and the boats arrived in the Albert Dock on Saturday. It was a media circus and you could easily see that it brought in the tourists. I was outside getting some shots and just had to point out to passers by about a certain fantastic gallery that was open.
By 4pm I realised that I only had 1 hour left before we were due to close. I really didn’t want it to end. Just watching people go around, talking to people about the project, it was brilliant. I then decided to get some extra shots. For the most part I had stood back and took photos of the gallery with a wide angle. This was partly because I was a bit shy but it occurred to me that on the wall was proof that I’m not shy. I grabbed my camera and got stuck in getting closer shots, expressions, emotions and people looking at the photos. Some Italian girls seemed a bit scared of my camera, and it was a little hard trying to explain to them that I was the black and white guy but I think the message got across. They were all smiling after they left and took loads of holiday snaps. By 5:30pm we were still open and just as busy as 2pm. By now the really weird things happened. A guy came in with his shopping from Iceland. I don’t even know where the nearest Iceland is in Liverpool. Another guy came in with his bike. It got even weirder when I saw people posing by the photos as if they were a tourist attraction. However the absolute nicest thing happened. Two girls, one from Brazil who didn’t speak English, posed in front of my photos and took a photo of them smiling. You know the sort of “Here’s us at London Bridge” tourist snap. I was just so happy. It was a little strange but the nicest compliment ever. We closed at 6pm and went off for a tour of a clipper boat. The people who do that race are insane basically. It has to be the most amazing and terrifying trip ever. I know I should support the Liverpool 08 boat, but go Qingdao. Crazy crazy people. It’ll be great to photograph the start next week and I really look forward to the finish in a year. Our little gallery closes today and its a shame its not open longer. The website should hopefully maybe launch tomorrow and I hope this is only the start of things for this project. Thanks again to everyone involved, especially Mark McNulty for inviting me to participate. Its been brilliant.
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I posted a colour version of this image a few days ago. Personally I feel it has more “bang” to it in black and white. This will be the last of the fireworks photos I’m going to put up here. I’ve got around 150 other photos that I’ve taken recently that I can put up, so I want to get into them. I’d rather put up 1 fantastic shot than 5 ok ones. I have plenty more fireworks photos from that evening and I’ve put them all on Flickr in a nice set, if you want to see more.
I spent Saturday at the eighthundred gallery. It was great. I got to enjoy the exhibition by watching people potter around it. It was nice seeing all types of people visit it. It’s not an arty gallery full of things people won’t get. Its friends, family, and places people know. Around 2pm it got really busy. Ian and Minako Jackson popped by, followed by my Aunt and Uncle, followed by 2 members of Talk Photography. By the time I had finished chatting it was about 4:30 and I had slightly missed lunch, but I didn’t mind because it was really nice to see people there. However, the past weeks events really caught up with me last night. I nearly fell asleep at the computer a few times and by 9:30pm, coupled with toothache, I gave up and crashed on my bed. I woke up 12 hours later. I never sleep that long, ever. 10 at a push but generally 8 hours and I’m automatically awake. Speaking of eighthundred, Liverpool Stories has a video documentary on the project including interviews with a few photographers, me included. Kinda weird seeing myself speaking, but its great seeing the others at work and its a great record of building it all.
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About 3 weeks ago Mark McNulty approached me with an idea for a shoot. 1 day, 8 photographers, 800 people. A crazy idea but a great one none the less. The idea wasn’t to photograph your friends or clients but Liverpool on its birthday. We got support from the Albert Dock who kindly said we could use the Grand Hall for the exhibition. The Culture Company also backed us. We got the funding for the prints and free wine for the launch. All that was left was to photograph 800 people in just one day. As you do. We all had assistants arranged who would be joining us on the day to keep us from going insane, focused and to take down details of the 100 people we all had to photographer. Unfortunately mine had to cancel so at 9am I was standing on Allerton Road looking for people to photograph. I wasn’t really that familiar with the area so it was a bit scary, especially due to the shooting 5 minutes down the road last week. As soon as I got out my car I found 4 people, then another 4, then 3 and then a couple. 20 minutes in and I had 10 photographs. “I can do this!” I thought to myself. I felt good, happy, and a bit less stressed. Of course I still had another 89 people to get, and to fit in some photos of the 800th Birthday events and shoot fireworks later. The great thing was that people knew about the project due to an interview by Matt on Radio Merseyside. This really help legitimise the project. People knew who I was. I headed to Penny Lane, which was empty of people. I spotted a hair dressers there and went in, which was also empty as they had just opened. So I tried the butty bar next door and that was full of telecomms engineers grabbing a butty. I got 2 of them and headed to Sefton Park. It was empty, but I managed to get a couple shot.
Time was getting on so I headed in to town, to Falkner Street in the hope of getting shots of the Quarter. On arrival I bumped into Helen Palmer, one of the other photographers. She had just done the Quarter. I grabbed a coke and headed down Hope Street. The thing about this project was that on an ordinary day you would walk down a road and weave around groups of people on the street heading to where ever you were going. On this day the groups on the street were my destination. 3 girls walked towards me, “Ladies, can I interest you in a photograph?” to which they would ask what its for and I explained. 1 opted out, the other two were happy to help. On I went and found a large group of 6 people. Now being on my own meant it took time to get everyones name and what they were up to. This didn’t seem to be slowing me down when I compared numbers with Ben. I was on a roll, fueled by coke, lucozade and adrenaline. I went back to my car and off to St Georges Hall to capture some 800th Birthday shots. Here I bumped into a videographer I knew who interviewed me for the project. That was… different. We were stopped by 2 lovely Australian girls from Walkabout who were giving out 20% off stickers. Naturally I got a photograph in return for a sticker. From there I headed to Lord Street to capture the parade and grab people watching it. Here I felt under enormous pressure. There were hundreds of people there and it was a bit scary going up to people with so many watching me. I managed to get a good selection of people from there though, mostly those who weren’t that interested in seeing the parade but wanted to be there.
Off I went down Castle Street and bumped into Mark and a few minutes later, Mike from Talk Photography with his girl friend and her dog. I was then approached by a market researcher getting info on tourism in Liverpool. We exchanged projects and I went to St. Lukes for a rest and lunch. It was a really great place to chill out. I did need that time, and time to work out where I was at. I bumped into one very cool girl there who was whitty and had a great personality, so I got her photograph and she was one of the 2 larger prints I had done. I wanted to pick people who really stood out from the day, who weren’t just milling around town. I headed off towards Switch Media grabbing shots of people who had been in the Parade and just missed out on Art in Liverpool who had been photographed by Mark. The Switch Media group were excellent. Lots of fun faces. I went off to the area by the Echo to try and get some business people, but it was after lunch so fairly quiet. I managed to get 1 girl who posed just like a model, which no-one else that day did. From there to the Pier Head to Paradise Street and some workers to the bus station and passers by. After that to the Open Eye gallery and then Starbucks for a rest. I had a nice drink and a brownie and headed out to shoot Bold Street. Typically I met people I knew so I got their photo. I tried Jacobs but they had already been done. I wandered up Bold Street and heard someone say “photography” so I grabbed those people. A great group of 4 and I was up to 95 people. Off down Renshaw Street and I got a couple celebrating their 1 year anniversary, 2 girls and a guy with the longest name in history. At 6pm exactly I was done. Typically I saw a stunningly attractive girl with bright pink hair, however I also saw her in the exhibition so I didn’t have to worry.
I was done, I headed for a bite to eat and watched the sun over the Mersey. Off home and after loading them into Lightroom, picking photos I liked, I had 94 exactly. We only had space for 92 photos per person and 2 larger A2 prints. So we had to cram 100 people into 94 prints. I did it! A quick drink and off to the fireworks. The next day I was at Moorfields Photographic by 10am to drop off my prints. 1 hour later they were done and I chilled out till the afternoon when we were building the gallery. Then it got tricky. We had all our prints layed out on the floor and wow. It was immense. I’d never seen anything like it. Huge! We ran into some problems building the gallery, namely that the prints were still a bit curved so Jackie came up with the great idea of mounting them onto backing paper. We could then stick them onto that paper to reduce the curves and mount the entire thing. We had 48 prints per sheet. By about 9pm we had 1 sheet hung. We still had 15 more to create and mount the next day. By around 3pm the next day we had about 2 more hung and the rest being mounted. Now we weren’t being slow because we were opening at 6pm that evening. We had 3 hours to finish the entire thing. It was just the sheer size of it slowing us down. Mounting nearly 800 photographs, hanging them, checking things looked good, getting things lined up. Dear god it was a task. At 5pm we still had more to hang but I needed to head home and freshen up, which due to the distance meant I didn’t arrive until 6:40pm! When I did arrive, oh god it felt real. The room was full, people were outside and wow. I saw at least 1 guy I photographed and that was amazing. He was a fruit store seller near Castle Street. Standing in the corner of the room was amazing. The sheer size of the exhibit, of 800 people being on the wall. Honestly its the most impressive gallery I’ve seen. We did it in about 2 and a half days. How?! I keep thinking about it, 1 day, 8 photographers, 800 people! How did we do that? I can’t wait to pop by later and just sit there in the space. 800 people! Haha its just crazy. We also made Liverpool Confidential
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